In my last post, I said I was almost finished with my translation of Ishikawa Jun’s 『江戸人の発想法について』. Not true. Fact is, I’m bogged down. This thing is taking forever. Here are some of the reasons. (By the way, thanks to Matt of No-sword for helping me in the last post.)
First, the title. “On the Ways of Thinking of the People of Edo” has too many of’s. Not sure what to do about this. Also, there seems to be no decent English approximation for 発想法.
Next, my translation of these three sentences is still a bit awkward:
In the case of the Otake legend, this “secularizing” device is really only twofold. On the one hand it is devised to convert the historical reality of Eguchi into the real-life symbol of Otake. On the other hand it is a transformation tableau that gives us Otake, when eyes are opened, and the Dainichi Buddha, when eyes are closed.
Next, this whole paragraph is giving me trouble (and what is 右体の次第 !?):
Now when this hypothesis is suddenly applied to life, it holds firm, having been substantiated long ago by the narrative of the historical Eguchi. The diligent scholar will at once scrawl down “the true story of Otake” in his zuihitsu essay, while the acquisitive mountebank will put Otake’s artifacts on display in some interim shed; but insofar as it relates to Edo, the term “secularization” loses its meaning the moment it is removed from the order of circumstances I have described above. Likewise, the notion of yatsushi for the first time gains its vitality the moment it becomes inseparable from the operation of the same name.
And this honkadori-type waka by Yamate no Shirohito, included in Wild Poems of Ten Thousand Generations (1783). Not sure if I’m getting this right:
“Oak-leave Rice Cakes”
On Narazaka slope: Kashiwagi rice cake in hand I devour it, stroking it front and back.
Also, not sure if I’ve rendered this next sentence correctly, particularly the phrase 家集撰集 (does it really mean “Minamoto no Sanetomo’s personal anthology”?):
In a word, what we call an “allusive variation” poem is precisely the haikai-ization of an old poem, and this technique had been in use long before the Tenmei era. In fact, it can even be seen in some of the kyōka poems from Minamoto no Sanetomo’s personal anthologies of the Kamakura era.
This is enough for now. There are still several obscure Chinese poems that are troubling me.